Stories that feature ‘Ewan MacColl’

Orchestra Hall

This story takes place in 1961. It was told on July 14th, 2012 by Frank.  Be the first to comment

Orchestra Hall, the home of the Chicago Symphony, was one of the three major concert venues in Chicago, along with the Opera House and the Ampitheatre.
It was a rather austere-looking room, but its acoustics made it one of the finer symphony halls in the country. The Symphony played there Thursday nights, Friday afternoons (for the dowagers and the retired gentlemen), and Saturday evenings. Occasionally, when the Symphony was out on tour, there would be a Saturday open, but the only thing you could program very far in advance was acts that drew on Friday nights. That was perfect for folk music.
I built my first folk concert series around the availability of those Friday nights at Orchestra Hall. I had no cash to operate on, but I knew a few of the artists I wanted to book. You couldn‘t work that way forever, of course. I knew I had to find a way to get more tickets sold in advance, so I could build up some cash up front. But that would have to wait. For now, the performers and I were both winging it. They needed the exposure I could give them as much as I needed them.
By the middle of 1961, the Mitchell Trio and Miriam Makeba had agreed to come and play Orchestra Hall in the fall and winter. Harold Leventhal, who I knew from the Pete Seeger concerts, sent along Ewan MacColl and Peggy Seeger. We were off.
I designed the series to look just like the classical series that were all the rage. As far as I knew, I was the first promoter outside the long-hair world to launch a subscription series like this, and that quickly gave me a degree of respectability that often eluded the lowly pop promoter. Many of the artists, not incidentally, liked the way some of that cachet rubbed off on them.